The Gift of the Hon.ble Robert Dinwiddie Esq.r Lieu.t Governour of Virginia to the Corporation of Norfolk, 1753
Given the inscribed date of 1753, the Mace must have taken longer than expected to reach Virginia's shore, as the minutes of the Norfolk Common Council record the actual presentation on April 1, 1754, thus climaxing a friendship between the colonial official and Virginia's principal seaport.
In the Middle Ages, a mace would have been used as a weapon to crush metal armor. Its spiked head was greatly feared. In later times maces, like this one, were used as symbols of honor to acknowledge the presence of a public official.At a Common Council held this 1st day of April, 1754, the Honourable Robert Dinwiddie, Esq., his Majesty’s Lieutenant Governor and Commander in Chief of this Dominion, this day presented to the Borough of Norfolk a very handsome Silver Mace, which was thankfully received… as a Token of his great Regard and Affection for the said Borough.
The Royal Norfolk Mace was featured on a 1936 United States half dollar coin minted to commemorate the Borough of Norfolk land grant of 1636.
The first recorded appearance of the Mace after the great disruption in the government of the land was its presence in a parade held on July 4, 1788 in celebration of the ratification of Virginia's new Constitution. It was returned to Norfolk's Clerk of Court in 1790.
Though proposals were made in 1794 and 1836 to rid the Mace of its royal symbolism, it remained unaltered in form, which is fortunate, since the latter year marked the 150th anniversary of Norfolk’s Royal Charter, which was paraded together with the Royal Mace through the streets of the City on September 15, 1836. To mark the 250th anniversary of Virginia, it was recalled with the Mace’s presence at Jamestown's Commemoration on May 13, 1857.
In May 1862, as Confederate troops prepared to evacuate Norfolk, the mayor, Colonel William Wilson Lamb of the Confederate Army, concealed the argent Mace beneath the library fireplace in his house at 420 Bute Street. Although the house was occupied by Union troops, the mace was not discovered.
Following the Civil War, the Mace was passed between various mayors, falling on "evil days" and for decades becoming practically forgotten. From 1881 to 1885, it rested in the vault of the Exchange Bank of Norfolk and, when the bank eventually foreclosed, the Mace disappeared, only to reappear nine years later.
Norfolk's Chief of Police C. J. Iredell discovered it “in a state of disrepair in a heap of litter and old records in a room at the police station” located behind the Norfolk Court House (now MacArthur Museum). Norfolk City officials approached Norfolk National Bank, later a part of Virginia National Bank (now Bank of America), which agreed to serve as its custodian, displaying the Mace for many years in a specially built glass case in its downtown Norfolk main branch.
The Mace appeared again at the 1907 Jamestown Exposition in celebration of Virginia’s tercentenary. It led both a 1919 parade on the first anniversary of the Armistice and, in 1932, a procession commemorating the 250th anniversary of the Founding of Norfolk.
In 1952, two sterling silver replicas of the Mace were made by Sam Rubenstein of the Keystone Silver Company. One was given to the Norfolk City Council for everyday use, preventing additional wear to the
original; the second was donated to the Chrysler Museum of
Art on behalf of the Norfolk Bank of Commerce by its president, John S. Alfriend. Today the replica, which bears the inscription "Presented to the Norfolk Museum by the National Bank of Commerce March 12. 1954" is on display at Chrysler's Norfolk History Museum, on the first floor of the Willoughby-Baylor House.
On February 16, 1989, the original colonial Mace presented to the Borough of Norfolk in 1754, in its carefully restored state, was delivered by City Clerk Breck Daughtrey, escorted by armed police officers, to the Chrysler Museum of Art in order to be on permanent display. (It is currently in Gallery 207 on the second floor.)
Born in Glasgow, Scotland, Dinwiddie entered the colonial service at an early age and was collector of customs in Bermuda from 1727 to 1738. In the latter year he was promoted to surveyor general of the customs for the Southern ports of America, and as holder of the post he became a member of the Virginia Council in 1741.
As surveyor general of customs and council member, Dinwiddie became intimately acquainted with Norfolk's mercantile and civic affairs, and when the borough officials made him a burger, he reciprocated by presenting them with a seal, which was duly acknowledged at a meeting of the Norfolk Common Council on July 7th 1741. The miniature replica has been worn as a pin by Norfolk residents, City employees and historians for years. Originally reproduced by special authority of the Corporation Council of the City of Norfolk, it represents the tumultuous and often historically confusing Loyalist history of Norfolk as a major Virginia seaport, which is as strategically significant as a city today as it was as a seaport during the American Revolution.
Since the Chapter's formation in 1906, first recorded as “the Norfolk Chapter,” then as “Tidewater Chapter (No. 1),” Norfolk has served as its historic home. The association of its purposes, the significance of the events in Norfolk on that fateful New Year's Day in 1776 resulting in the removal of the Mace to another local battle town and the question whether or not Norfolk, in England’s oldest colony in the Americas, was predominantly Royalist, cannot be overstated. History invoked the Mace with relevance as the truest symbolic object of the Chapter’s namesake.
J. Matthew Hogendobler, D.M.D.
President, Norfolk Chapter SAR
New Year's Day 2012
Norfolk Mace Merchandise
Norfolk Chapter's Mace Club
"I am the Brock Curator of American Art at the Chrysler Museum, and I recently read your website on the history of the Norfolk Mace. Congratulations on a beautiful and informative page! The Mace is truly a magnificent work of art and a valuable piece of history. The Museum is honored to be able to present this in our galleries (now completely free of charge to all visitors).
I saw no questions or problems with your account of the Mace and its history. You’ve related its anecdotes with wonderful wit and brevity, and the parallels between its history and that of the city and your Chapter are memorable.
The Chrysler Museum is hoping over the next few years to renovate and expand its permanent collection galleries, and one of my personal objectives within this project is to design an even more glorious and dynamic presentation of the Mace. I have no firm idea yet what form this will take, but the Mace deserves a splendid home, and I hope you and the members of your Chapter will come view it in person often both before and after these renovations."
Crawford Alexander Mann III
Brock Curator of American Art